Craft & Design Objects
Craft & Design Objects presents textile and applied-arts holdings from the Art Institute of Chicago open-access collection, with artist, dates, medium and gallery context, drawn from the CC0 API and refreshed monthly. Every record links the museum page and adds material and technique families from our pipeline.
| Object | Artist | Date | Department | Material family | On view |
|---|---|---|---|---|---|
| Spider Helmet | English or French | 1650/1700 | Applied Arts of Europe |
| true |
| Flintlock Pistol | French, Alsace | 1640/50 | Applied Arts of Europe |
| true |
| Wheellock Birding Rifle (Tschinke) | Polish, Silesia, Teschen | 1640/60 | Applied Arts of Europe |
| true |
| Beadwork Basket Depicting a Courting Couple in a Garden | England | about 1645 | Textiles |
| false |
| Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus | After a design by Jacob Jordaens (1593–1678) Woven at the workshop of Jan van Leefdael (1603–1668) Brussels | c. 1650 | Textiles |
| false |
| Prunted Beaker (Roemer) | Netherlands | c. 1640 | Applied Arts of Europe |
| true |
| Charger | Balthasar Dauman German, active 1623-1632 Glatz, Germany (now Kłodzko, Poland) | 1632 | Applied Arts of Europe |
| false |
| Monstrance | Spain | 1631 | Applied Arts of Europe |
| false |
| Sweetmeat Dish | London, England | 1631/32 | Applied Arts of Europe |
| false |
| Cup in the Form of a Horse and Rider | Hans Ludwig Kienle (born Ulm [now Germany], 1591–1653) Ulm (now Germany) | 1630 | Applied Arts of Europe |
| true |
| Rapier | Western European | 1630-40 | Applied Arts of Europe |
| true |
| Buckler | Italian or Spanish | 1630/50 | Applied Arts of Europe |
| true |
| Cabinet or Box Depicting Scenes from the Old Testament | Made by Rebecca Stonier Plaisted (English, 1653-1724) England | 1668 | Textiles |
| false |
| Rapier and Scabbard | Probably Flemish | c. 1630 | Applied Arts of Europe |
| true |
| Halberd for the Bodyguard of Karl Eusebius, Prince of Liechtenstein | German | 1632 | Applied Arts of Europe |
| true |
| Pikeman Armor for an Officer | English, Greenwich | 1625/30 | Applied Arts of Europe |
| true |
| Wheellock Rifle | East German of Polish (Silesia, possibly Teschen) | 1625/50 | Applied Arts of Europe |
| true |
| Sword (Pappenheimer Rapier) | Dutch | c. 1630 | Applied Arts of Europe |
| true |
| Linen Cupboard (Kast) | The Netherlands, probably Amsterdam | 1630/50 | Applied Arts of Europe |
| false |
| Coverlet | China | Ming dynasty (1368–1644)/ Qing dynasty (1644–1911), Mid–17th century | Textiles |
| false |
| Composite Armor for Heavy Cavalry (Cuirassier) | South German, Nuremberg | 1620-40 | Applied Arts of Europe |
| true |
| Rapier | Italian or Spanish | c. 1630 | Applied Arts of Europe |
| true |
| Rapier | Southern European | 1620-30 | Applied Arts of Europe |
| true |
| Rapier | Italian or Spanish | c. 1630 | Applied Arts of Europe |
| true |
| Halberd | Flemish | 1620/50 | Applied Arts of Europe |
| true |
| Zischägge (Helmet) | German | 1620-40 | Applied Arts of Europe |
| true |
| Zischägge (Helmet) | Probably Flemish | 1620-40 | Applied Arts of Europe |
| true |
| Gorget | German | 1620/50 | Applied Arts of Europe |
| true |
| Coin Cabinet for a Member of the Barberini Family | Italian; Rome | 1630–34 | Applied Arts of Europe |
| false |
| The Stafford Chasuble | England | 1620/40 (appliquéd late 17th century) | Textiles |
| false |
| Panel (Furnishing Fabric) | China, Guangzhou (Canton) or Macao | late Ming (1368–1644) or early Qing dynasty (1644–1912) | Textiles |
| false |
| The Crossing of the Granicus from The Story of Alexander the Great | After a design by, and woven at the workshop of, Karel van Mander the Younger (1579–1623) Holland, Delft | 1619 | Textiles |
| false |
| Drinking Cup (Bernegal) | Miguel de Urbiola (active New Spain [now Mexico], 1619–25) Viceroyalty of New Spain (now Mexico) | c. 1620 | Applied Arts of Europe |
| true |
| Pair of Wheellock Pistols | German | 1620/30 | Applied Arts of Europe |
| true |
| Shaffron | Pierre du Coudroy (Flemish, born France, 1560-about 1626) Brussels | about 1620 | Applied Arts of Europe |
| true |
| Kesa | Japan | 17th century, Edo period (1615–1868) | Textiles |
| false |
| Halberd for the Bodyguard of Emperor Mattias | Austrian | 1612 | Applied Arts of Europe |
| true |
| Triple-Wheellock Pistol | Franco-German (Alsatian); Strasbourg | 1610/20 | Applied Arts of Europe |
| true |
| Rapier | Probably Italian | 1610-20 | Applied Arts of Europe |
| true |
| Rapier | Probably Italian | 1610-20 | Applied Arts of Europe |
| true |
| Zischägge (Helmet) | Flemish | 1620/30 | Applied Arts of Europe |
| true |
| Zischägge (Helmet) and Cuirass of Emperor Ferdinand II | South German | c. 1620 | Applied Arts of Europe |
| true |
| Siege Helmet | Probably Italian | 1610/20 | Applied Arts of Europe |
| true |
| Composite Zischägge (Helmet) | Flemish, probably Brussels | c. 1620 | Applied Arts of Europe |
| true |
| Reinforcing Breastplate | German | 1610-20 | Applied Arts of Europe |
| true |
| The Petitions [right part] from The Story of Artemisia | After a design by Antoine Caron (1521–1599) Woven at an unknown workshop at the Manufacture du Faubourg Saint-Marcel France, Paris | 1607/30 | Textiles |
| false |
| The Feast [central part] from The Story of Artemisia | After a design by Antoine Caron (French, 1521-1599) Woven at an unknown workshop at the Manufacture du Faubourg Saint-Marcel France, Paris | 1607/30 | Textiles |
| false |
| Close Helmet from an Armor of Tsar Dmitry I | Italian, Milan | 1605-1606 | Applied Arts of Europe |
| true |
| Wheellock-Matchlock Musket | Dutch, possibly German | c. 1600-c. 1630 | Applied Arts of Europe |
| true |
| Armor for Heavy Calvary (Cuirassier) | Italian; Milan | about 1610 | Applied Arts of Europe |
| true |